Conversations with Steve Lewis

Today we’d like to introduce you to Steve Lewis.

Steve, we appreciate you taking the time to share your story with us today. Where does your story begin?
Growing up in rural eastern North Carolina, I was lucky enough to pick up a French horn in sixth grade, eventually attending North Carolina School of the Arts for high school. I studied with David Jolley, who remains one of my strongest influences to this day. I earned a Bachelor of Music in Theory and Composition from East Carolina University before moving to Kansas City in 2010 to begin a Master of Music in Orchestral Conducting at the UMKC Conservatory of Music and Dance.

During those years, I saw a need for professional performance opportunities for music students and recent graduates. With help from a carefully chosen group of supporters and fellow musicians, I began the Midwest Chamber Ensemble in 2012. MCE prepares its members for future career opportunities by creating a professional environment, providing networking opportunities, and programming a wide variety of classical orchestral and chamber repertoire while simultaneously presenting its audience with quality concerts.

After 13 years, I stepped down from the helm of MCE to pursue other things, including returning to the horn. I continue to conduct the Kansas City Medical Arts Symphony, which I have led since 2016. In 2022, I became a founding member of a woodwind quintet, Beaufort Winds, which includes colleagues I have known since the early years of the Midwest Chamber Ensemble.

My most recent entrepreneurial venture is Legacy Horn Experience, a company that produces mouthpieces and publications for the French horn. As the name implies, LHE focuses on products, musicians, and music that has a legacy within the horn community.

Can you talk to us a bit about the challenges and lessons you’ve learned along the way. Looking back would you say it’s been easy or smooth in retrospect?
It wasn’t easy to grow up where I did, and as part of a socioeconomic class not normally associated with classical music. There were few musical opportunities available, and I’ve had my own trials with mental health along the way. I have been fortunate to have caring and supportive colleagues in addition to my wife, Sara, who is a musician and musicologist.

Can you tell our readers more about what you do and what you think sets you apart from others?
I’m most proud of the continued success of the Midwest Chamber Ensemble, especially after I stepped down as music director. I tried to foster a sense of camaraderie and trust between the Board, musical leadership, and our musicians, setting up opportunities for people to demonstrate their talent and worth to the art form.

With the Medical Arts Symphony, fostering camaraderie is important, but I had to shift my focus. MAS has taught me so much about community orchestra and I’m glad to continue as a part of their leadership as we learn from each other and grow together.

In recent years, I have also rededicated myself to my own performance as a French hornist. My experience as a conductor, arranger, and French horn player gives me a unique vantage point for any musical scenario. While I enjoy playing woodwind quintet music, I enjoy playing chamber music in a variety of ensemble settings.

Networking and finding a mentor can have such a positive impact on one’s life and career. Any advice?
You’re going to hear 99 nos for every yes. Keep asking. When somebody is willing to give you advice, listen—even if it’s not what you want to hear. Sometimes that’s the most important advice for a young musician.

Contact Info:

• Website: https://www.stevelewisconductor.com
• Other: https://www.legacyhornexperience.com