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Check Out Viktoriia Tesalova’s Story

Today we’d like to introduce you to Viktoriia Tesalova.

Hi Viktoriia, so excited to have you on the platform. So before we get into questions about your work-life, maybe you can bring our readers up to speed on your story and how you got to where you are today?

Once I found my footing, I focused on what I care about most in this work: paramedical tattooing, and specifically scar and stretch mark camouflage — a niche that isn’t taught nearly as thoroughly as it should be. I developed my own methods for it, TSCP and TCMS, built from years of hands-on experience with clients whose skin and history are never quite textbook.

From there, I built my own studio and my own brand, TESALOVA. Alongside my client work, I train other PMU artists across the US, Europe, and Southeast Asia, and I’ve competed and judged in international PMU competitions. It’s a lot to run at once, but nothing about it has felt impossible.

What I want people to understand is how genuinely grateful I am to this country. Starting over somewhere new, in a different culture, is hard — but America gave me something I didn’t expect: real fairness, clear rules, and people who are honestly kind. I never imagined I’d build my own brand, and now I’m growing it, one step at a time, and I’m genuinely happy doing it. This country has become a second home to me, and I don’t take that for granted.

Can you talk to us a bit about the challenges and lessons you’ve learned along the way. Looking back would you say it’s been easy or smooth in retrospect?
hasn’t been a smooth road, but the hardest part wasn’t the artistry itself — I already had years of experience and was confident in my skills as a professional. The real challenge was that I didn’t know any of the rules here. I had to learn everything from scratch and track down all the information myself to build my business legally. Getting that system right mattered a lot to me, because I didn’t want to be worrying about paperwork down the road.

The other big shift was marketing — figuring out how to introduce myself as a specialist and reach clients here required a completely different approach than what I was used to. I had to rebuild that side of things almost from zero, and it took time to find what actually worked. It’s been a real process, and honestly, I’m still refining it — but I feel much more confident now than when I started.

Alright, so let’s switch gears a bit and talk business. What should we know about your work?

Eventually I wrote it all down and published it as a training manual, Scar & Stretch Mark Camouflage — it’s copyright registered in the US and available in both digital and print. Now I get to teach other PMU artists this method, and I travel and train across the US, Europe, and Southeast Asia, which still feels a little surreal some days.

I also compete and judge in international PMU competitions — I placed first at the Golden Hand Championship in Greece and at the Worldwide Beauty Championship in Amsterdam. I’m a Professional Member of SPCP, a member of IBPA in the Educators and Trainers category, and I was invited by Placer County as an expert contributor when they were updating California’s Body Art Act regulations. I’ve also had some articles published in sociological journals along the way.

I think what I’m most proud of isn’t any single award — it’s that I turned something I taught myself out of necessity into an actual, teachable system that other artists can learn from. That’s what I hope people take away from my work: that this niche deserves to be taken seriously, and that it can be.

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